Thoughts about teaching, literature, and teaching literature
It’s Friday. 2:55. The sky a granite-grey as the heft of the clouds seem to throw themselves into your classroom. You’ve just spent 45 minutes teaching, exploring, discussing a poem. In fact, not just any poem, but a great poem. A beautiful poem. Heaney’s ‘Blackberry-Picking’. Mid-sentence you notice a hand shoot up from the corner... Continue Reading →
We often think very carefully about what material we want students to retrieve, but of equal importance is how they retrieve it. As with much of teaching, this ‘how’ is probably best filtered through the lens of subject specificity, triangulated of course with the underpinning science of how we learn. Yet, the mechanism by which... Continue Reading →
When we arrive at the end of An Inspector Calls and witness the Inspector looking out at the audience, in a kind of ideological crescendo, bellowing his warnings about ‘fire, blood and anguish’, it would be difficult to imagine Priestley’s aim is not an act of conversion. Priestley, one instinctively assumes, is seeking to uproot... Continue Reading →
Earlier today I was reading, or rather listening, to Rob MacFarlane’s excellent book Underland when I came across a fasctaining concept that I wanted to share, and that I think will have a lot of mileage with various GCSE and A Level texts. The concept is that of ‘solastalgia’, which, as MacFarlane outlines, comes from... Continue Reading →
I’ve been very fortunate this term to run an optional and additional enrichment course based around Bob Eaglestone’s excellent Doing English. The aim of this short course has been to expose Y10 students to some of the most interesting debates within literary studies that they otherwise wouldn’t really encounter until A Level or perhaps even... Continue Reading →
The system of Cornell note taking is a strategy I have used for a long time, since university at least but possibly before (A Level is such a distant memory I can’t quite recall!). I use them now when listening to interesting podcasts, reading especially important articles, completing online courses like with Massolit, or as... Continue Reading →
Yesterday, I taught a lesson about the literary canon to Year 10. One of the ways I tried to explain how the canon functions, an idea inexorably abstract to a group of 14 year olds, is through the example of Radio 1. Now, this isn't done out of any desire to increase engagement or play... Continue Reading →
Each year I'm fortunate enough to be able to offer my Y10 students a short enrichment course that lasts 6 weeks and which I title, after Bob Eaglestone's superb book, Doing English. The aim of this enrichment course is to get the students thinking much more conceptually about literature and its study, asking questions such... Continue Reading →
Networks of Creativity within Literary Studies One consequence of the increasing disciplinary specialisation of knowledge is that it can sometimes become all too easy to draw boxes around what we teach. In the case of English Literature, we can often overlook the wider artistic and creative networks that surrounded and influenced the writers we discuss.... Continue Reading →
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