It all too easy sometimes to get lost in the small stuff of textual analysis. The micro. The single words and images. This is, it goes without saying, key to any literary discussion, but so is the macro. The big stuff. The conceptual. How might we build into our classroom routines more opportunity for such... Continue Reading →
Bigger and Bigger Questions: The BIG Questions of Literary Studies
I’ve been very fortunate this term to run an optional and additional enrichment course based around Bob Eaglestone’s excellent Doing English. The aim of this short course has been to expose Y10 students to some of the most interesting debates within literary studies that they otherwise wouldn’t really encounter until A Level or perhaps even... Continue Reading →
Creative Writing and the Craft of Crossing Out
I recently shared via Twitter the below image, which I always share with my students when beginning to think about creative writing and specifically Language Paper 1 Question 5: After introducing this image, I explain that more than anything their success on this question will be defined by the extent to which they are able... Continue Reading →
But, what does the text do?
Yesterday, I posted this on Twitter and was surprised (but very happy) at the positive reaction it received: https://twitter.com/__codexterous/status/1358477772918767619?s=20 This has been one of the biggest, and I think most positive, changes I’ve made to my own way of thinking about authorial intent in recent years. The question stops being what might the author have... Continue Reading →
What Can Radio 1 Teach Us About the Literary Canon?
Yesterday, I taught a lesson about the literary canon to Year 10. One of the ways I tried to explain how the canon functions, an idea inexorably abstract to a group of 14 year olds, is through the example of Radio 1. Now, this isn't done out of any desire to increase engagement or play... Continue Reading →
From Start to Finish: A Detailed Analysis of An Inspector Calls
Previously posted in four parts, the below is a detailed moment by moment analysis of An Inspector Calls written to be both rigorous and accessible to students. It covers the entire play from start to finish. Setting the Scene The play opens with a set of detailed and specific stage directions and Priestley’s use of... Continue Reading →
Delivering Effective Feedback Through OneNote
A few days ago I posted an overview of how I use Microsoft OneNote, both when remote teaching but also when back in the classroom. However, I wanted to expand on possible ways to use it to deliver effective feedback. If you are unfamiliar with OneNote or Class Notebook (which are the same thing) you... Continue Reading →
How I Use OneNote for English: A Quick Overview
As teachers across the country move to online learning, I wanted to pop down some thoughts as to how I personally use OneNote when teaching English. This is something I have been doing for a while now and this system works very well for me, whether remote learning or not. In essence, I use OneNote... Continue Reading →
An Analysis: Walking Away by Cecil Day-Lewis
What is it about? A father, the speaker, watches his son play football at school. As his son walks away from him he becomes worried that their relationship has fundamentally changed, since his son is growing up and becoming more independent. However, the speaker comes to realise that this is an experience all parents have... Continue Reading →
An Inspector Calls: A Detailed Analysis (Part 2)
This is Part 2 of a 4 part analysis of An Inspector Calls, written with students in mind. In this part we explore the arrival of the Inspector as well as his early interactions with Mr Birling and Sheila. Part 1 explored the initial moments of the play and the introduction of various key characters.... Continue Reading →