Thoughts about teaching, literature, and teaching literature
It all too easy sometimes to get lost in the small stuff of textual analysis. The micro. The single words and images. This is, it goes without saying, key to any literary discussion, but so is the macro. The big stuff. The conceptual. How might we build into our classroom routines more opportunity for such... Continue Reading →
Several years before becoming a secondary school teacher, I taught at university whilst completing a PhD and did a lot of private tutoring on the side. I didn’t have many resources but I did have one that I would use with all of my university classes and tutees: a single side of A4 with three... Continue Reading →
Starting with the extract explain how Shakespeare presents Macbeth as ambitious When considering how Shakespeare presents the character of Macbeth as ambitious one recognises this extract is a pivotal moment in the play. This is largely because the scene is the culmination of a chain of events in which Macbeth has increasingly displayed his almost... Continue Reading →
Ok: first of all an admission. The title of this post, with its impossibly bold claim to distil teaching poetry into a series of neatly packaged steps, is somewhat overzealous. In a manner somewhat, and unfavourably, all too familiar to the last year, I fear it will overpromise and underdeliver. However, what it will do,... Continue Reading →
I’ve been very fortunate this term to run an optional and additional enrichment course based around Bob Eaglestone’s excellent Doing English. The aim of this short course has been to expose Y10 students to some of the most interesting debates within literary studies that they otherwise wouldn’t really encounter until A Level or perhaps even... Continue Reading →
Yesterday, I posted this on Twitter and was surprised (but very happy) at the positive reaction it received: https://twitter.com/__codexterous/status/1358477772918767619?s=20 This has been one of the biggest, and I think most positive, changes I’ve made to my own way of thinking about authorial intent in recent years. The question stops being what might the author have... Continue Reading →
Yesterday, I taught a lesson about the literary canon to Year 10. One of the ways I tried to explain how the canon functions, an idea inexorably abstract to a group of 14 year olds, is through the example of Radio 1. Now, this isn't done out of any desire to increase engagement or play... Continue Reading →
Previously posted in four parts, the below is a detailed moment by moment analysis of An Inspector Calls written to be both rigorous and accessible to students. It covers the entire play from start to finish. Setting the Scene The play opens with a set of detailed and specific stage directions and Priestley’s use of... Continue Reading →
Throughout the poem Shelley refers to the speaker’s love by comparing it to natural imagery and the natural order. He uses this imagery in order to try and seduce the woman he is addressing: he is attempting to justify why the woman should be with him by referencing how nature works in the world. Thus,... Continue Reading →
This is part 4 of a four part series of posts looking at An Inspector Calls. It is written with students in mind. This post looks at the interactions between Eric and the Inspector as well as the end of play. The Inspector and Eric After having left earlier in the play Eric now returns.It... Continue Reading →
codexterous 